Japanese Film and History class The answer to each question should be crafted as an essay. Do not waste space on restating the question or using it as your opening sentence. Sources Only lecture notes and articles that I’ve attached. Citations are re.
Japanese Film and History class The answer to each question should be crafted as an essay. Do not waste space on restating the question or using it as your opening sentence. Sources: Only lecture notes and articles that I’ve attached. Citations are required only for direct quotes– format (Author’s last name, pg#) these should be kept to a minimum. No need to quote directly from or cite lectures. Questions: Analyze four of the characters in “Lorelai” in terms of the relevant genres/sub-genres we have covered in class: “spiritist films,” “humanist films,” “combat films,” re-imagined histories. For each character find a counterpart character in one of the other films assigned for or seen in class and explain the similarities and/or differences between the two. (Important: NO MORE THAN 2 PAGES) I’ve attached the lecture slides about the conditions of “spiritist films,” and “humanist films,” please following these ( I found several things after watching movie) Character: Origasa – spiritist film why spiritist film? Origasa is a Young mini sub pilot – spiritual struggle to discover what makes them Japanese. His family is dead so he rams to sub into the enemy he belives performing kamikaze will honor for his family. Masami – combat film Commander Masami – a brilliant destroyer of enemy ships, try to save Japan from the third atomic bomb why ? combat film : in my lecture, in combat film, it involves soldier sacrificing himself and becoming a hero scenes. Paula – re-imagined history (please figure out why) humanist film (please figure out which character represent humanist film – i posted the slides for the conditions of humanist film) Last, please find the second questions “for each character find a counterpart character in MOVIE: Space battleship Yamato and explain the similarities and/or differences between the two”
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